Environmental research has usually highlighted that the existence of slack resources in an organization helps allocate investment to innovative initiatives. However, the existing literature has paid very limited attention to how slack resources can influence the effects of focused and diversified innovations in different ways. Agency theory scholars claim that a manager’s first preference when confronted with discretionary resources will not generate positive investments for the firm, but their own opportunistic preferences. The differences between focused and diversified environmental innovations allow (...) us to gain a better understanding of the financial impact of being focused and how slack resources matter in this context. We analyze a longitudinal sample of 5845 environmental patents from the 75 largest companies in the electrical components and equipment industry worldwide. Our results show that high levels of slack resources reduce the existing positive relationship between focused environmental innovations and a firm’s financial performance. These results contribute to delineating the theoretical and empirical implications of focused versus diversified environmental innovations and extend the literature on ethical dilemmas concerning managers’ use of slack resources in the firm. (shrink)

Opportunistic behaviors are considered ethically and strategically troublesome since they disrupt otherwise mutually beneficial relationships. Previous literature has shown that firms attempt to protect their investments from opportunism by generating a large amount of patented marginal innovations in domains central to their industry. However, this approach may generate some ethical dilemmas by preventing firms and societies from more radical, collaborative, and much-needed environmental progress. We extend the environmental innovation literature using strategic and ethical lenses to analyze the potential of an (...) alternative, divergent way to provide financial opportunities for a focal firm without aiming to prevent innovative opportunities for competitors. Our longitudinal analysis of 6768 environmental patents from 59 large companies worldwide in the electrical components and equipment industry shows that high levels of innovation intensity, environmental scope, bargaining power, and environmental expertise increase the incidence of patented environmental innovations related to domains in which industry competitors are less focused (i.e., technological divergence). We also show a positive relationship between this divergence and market-based firm performance. Our results suggest that pursuing innovative divergence to avoid opportunism may make ethical and market sense and we also identify the organizational factors that can support these efforts. (shrink)

This study aims to analyze whether resilient SMEs have been able to overcome the bump of the COVID-19 crisis in terms of profitability. When facing such unforeseen crises, SMEs require resilience, and one of the factors that positively affect resilience generation is the adoption of social and environmental practices (SEPs). Using survey data on the managerial perceptions of 259 SMEs, this study reveals the positive association between resilience and improvements in business performance, and how the adoption of SEPs is an (...) essential prerequisite for developing a higher level of resilience. We corroborate these associations for SMEs at two moments of the pandemic: November 2020 and October 2021. Our findings show that more resilient SMEs exhibit better results in terms of business performance, and the prior adoption of SEPs is positively associated with the development of resilience in the crisis context of COVID-19. (shrink)

El artículo reflexiona sobre las políticas de la memoria que deberían desarrollarse en sociedades donde han ocurrido masivas violaciones de derechos humanos, y cuyos procesos se guían por los principios normativos de la justicia transicional. Se analizan primero los conceptos de memoria e historia, y la forma como el Holocausto transformó sus tareas en el siglo xx; luego se examinan dos modelos de responsabilidad propuestos por Iris Marion Young, y se propone cómo usarlos en la justicia transicional. Finalmente, se explican (...) las tareas de la política de la memoria en estos contextos. (shrink)

Im ersten Buch des Convivio erläutert und verteidigt Dante sein Vorhaben. Es bietet den Zugang zu den nachfolgenden drei Büchern, in denen er zur inhaltlichen Vorstellung seiner Philosophie fortschreitet.

In dieser Schrift begründet Dante die Priorität der Volks- und Muttersprache vor der lateinischen Gelehrtensprache und fordert eine italienische Hochsprache. Er untermauert seine Ausführungen durch eine anthropologische Erörterung der menschlichen Sprachfähigkeit. Dank einer originellen Interpretation des biblischen Mythos vom Turmbau von Babel legt er eine vernünftig begründete Neubewertung der Vielfalt und der historischen Entwicklung der Sprachen vor. Das Problem der Sprache stellt sich im Denken Dantes in zweifacher Weise: als Problem der Sprache der Philosophie und unter dem Gesichtspunkt der (...) Philosophie der Sprache. In "De vulgari eloquentia" bietet Dante ein ganzes Arsenal metaphysischer Paradigmen auf, um der sprachlichen Verständigung der Menschen eine unvordenkliche Dignität zu geben. Er stellt die gesamte Philosophie in den Dienst des Menschen als sprechendes Wesen. Auch wenn Dante die Doppelbestimmung der Sprache als sinnliches Zeichen, das den Gedanken des einen Menschen einem andern zu vermitteln fähig ist, von der Tradition übernimmt, setzt er andere Akzente. Die Sprache der Menschen ist nicht nur eine im Vergleich zur Transparenz der reinen Geister unvollkommenere Form der Kommunikation, sondern sie wird positiv als die dem Menschen gänzlich angemessene und entsprechende Form der Kommunikation interpretiert: Das Sprechen ist der "herausragende Akt des menschlichen Geschlechts". Mit dem Erscheinen von "De vulgari eloquentia" liegt die vierbändige Ausgabe der Philosophischen Werke Dante Alighieris vollständig vor. Bislang erschienen Bd. 1: Das Schreiben an Cangrande (PhB 463) Bd. 2: Disputation über das Wasser und die Erde (PhB 464) Bd. 4: Das Gastmahl I-IV (PhB 466a-d). (shrink)

The progressive publication -along the past two decades- of the courses taught by Heidegger in his first years in teaching has allowed the reconstruction of the process of creation of Being and Time , its multiple textual references and influences. Among these, St. Augustine's thought bears a prominent place, for which reason I intend to consider its noticeable presence in some of the key concepts in the work mentioned. The first to be considered is Sorge , with which Heidegger characterises (...) the fundamental ontological constitution of human existence. His first drafts emerged from the reflection upon the famous "inquietum cor nostrum" and the cura for the vita beata from Confessions X. Based on this same text Heidegger had offered a phenomenological interpretation of temptation, which constitutes one of the first elaborations of the so-called "fall", precisely one of the structural moments of the Sorge. Explicit references or suggestive analogies between both thinkers can also be appreciated between the explanation of "tempus" as "distentio animi" in Confessions XI and the heideggerian thesis of "temporality" as the basis of the constitution of human subjectivity; the road from the search of God to the exploration of the interiority of the one who looks for Him and the way back from the question about the "being" to the question about the one who understands the "being", in other no less significant cases.La progresiva publicación a lo largo de las últimas dos décadas de los cursos dictados por Heidegger durante sus primeros años de docencia ha permitido reconstruir el proceso de gestación de Ser y Tiempo , sus múltiples referencias textuales e influencias. Entre ellas, ocupa un lugar destacado el pensamiento agustiniano, por lo cual me propongo considerar aquí su fuerte presencia en algunos de los conceptos centrales de dicha obra. El primero a tener en cuenta es el de "Sorge" con el que Heidegger caracteriza la constitución ontológica fundamental del existir humano. Sus primeros esbozos habían surgido de la reflexión en torno al célebre "inquietum cor nostrum" y a la cura por la vita beata de Confesiones X. A partir de este mismo texto Heidegger había realizado también una interpretación fenomenológica de la tentación, que constituye una de las primeras elaboraciones de la llamada "caída", precisamente uno de los momentos estructurales de la "Sorge". Referencias explícitas o sugerentes analogías entre ambos pensadores pueden apreciarse también entre la explicación de Confesiones XI del "tempus" como "distentio animi" y la tesis heideggeriana de la "temporalidad" como fundamento de la constitución de la subjetividad humana; el tránsito desde la búsqueda de Dios a la exploración de la interioridad de aquel que lo busca y el retroceso desde la pregunta por el "ser" a la pregunta por el que comprende el "ser", entre otros casos no menos significativos. (shrink)

In this paper, I aim to show the evolution of Kierkegaard’s views on the state scattered in his Papers. To do this, I will carry out an analysis divided into chronological periods, and I will characterize each period in terms of its main features. The goal is to give a comprehensive account of Kierkegaard as a champion of the monarchical and authoritative state, who loses his patience and attacks the established order only when he thinks that Christianity’s truth is at (...) the greatest risk. This interpretation contrasts both with a mere despotic Kierkegaard and with a more liberal one. (shrink)

Im vierten und letzten Buch, mit dem die Edition des "Convivio" abgeschlossen ist, interpretiert Dante sein Gedicht "Le dolci rime d'amor ch' i' solia" und erörtert die komplexe Frage der wahren Edelkeit. In diesem Rahmen diskutiert er den Umfang der kaiserlicher Macht und die Bedeutung des Römischen Reiches sowie das Verhältnis von Philosophie und Politik bzw. von philosophischer und politischer Kompetenz.Die Bewertung des Römischen Reiches und die Erörterung der Autorität des Aristoteles für die Philosophie und das menschliche Denken schlechthin (...) implizieren eine Stellungnahme zur Beziehung zwischen christlicher und antik-heidnischer Weltauffassung. (shrink)

In this article I explore the multiple and at times conflicting public health and folk discourses which shape breast-feeding practices in Punata, Bolivia. I examine why women may cease to breast-feed despite active efforts made by the healthcare system to promote breast-feeding. Breast-feeding practices are saturated with meaning and circumscribed by time and economic constraints as well as numerous cultural factors. These include conceptualizations of the body, emotions and illnesses that affect infants who are breast-fed, as well as constructions of (...) the mother–infant bond and attitudes about what constitutes ‘good mothering’ and its relationship to gender and class expectations. In this locality, the emotions of lactating women are said to find release through their breast milk and are seen to cause illness in their breast-feeding infants. I explore how mothers accepted, challenged or contested such views, and how they negotiated the politics of blame that emerged regarding who was at fault for their infant's illnesses. I demonstrate how breast-feeding is an embodied experience intrinsically linked to ideas about motherhood and show how the deployment of blame for these illnesses can strategically obfuscate or shed light on the numerous social and economic constraints under which women may find themselves. (shrink)

In this article, I focus on the work of the Movement of Victims of State Crimes in Colombia. The work of Movice, I suggest, is an example of how the category of “victim” from international law discourse is adopted and used from below by victims of mass atrocities. I show that, through this category, Movice attempts to introduce an alternative narrative of the internal armed conflict in which the state is a perpetrator of violence against civilian population as part of (...) a practice of elimination of political opposition through violent means. To do this, I focus on three political opportunities in which Movice deployed the category of victim between 2005 and 2016. I suggest that Movice is an example of how a movement of victims can adopt categories of international law to frame their struggles and, in doing so, infuse them with new contents. (shrink)

En Self-Constitution. Agency, Identity, and Integrity (2009), Christine Korsgaard defiende la conclusión de que el imperativo categórico rige la acción humana porque es el único principio que permite alcanzar la unidad psíquica plena, la cual, según Korsgaard, es un prerrequisito esencial para la acción efectiva. Para los agentes humanos, alcanzar esa unidad -que consiste en hacer coherentes distintos impulsos hacia la acción- es una actividad constante, denominada "autoconstitución". De acuerdo con Korsgaard, ésta es la fuente originaria de la normatividad y (...) de las identidades prácticas e incluso de la identidad personal. Después de exponer las ideas centrales del libro, presento dos objeciones: primero, critico la equiparación del imperativo categórico con la autoconstitución exitosa, pues no toda falla de auto-constitución es una falla moral. Segundo, argumento que la tesis de que la identidad personal es producto de la autoconstitución es problemática y que, al defenderla, Korsgaard confunde identidad práctica con identidad personal. In Self-Constitution. Agency, Identity, and Integrity (2009), Christine Korsgaard argues that the categorical imperative rules human action because it is the sole principle that allows us to reach the complete psychic unity that, Korsgaard thinks, is an essential prerequisite for effective action. Reaching this unity -which consists in making cohere diverging impulses for action- is for human agents a constant activity called "self-constitution." According to Korsgaard, this activity is the source of normativity, of human practical identities and even of personal identity. After explaining the main ideas of the book, I present two objections. First, I criticize the linkage of the categorical imperative to successful self-constitution, for not every failure of the latter counts as a moral failure. Second, I argue that the thesis that personal identity is a product of self-constitution is problematic and that it betrays a confusion between practical identity and personal identity. (shrink)

This study was designed to investigate the effects of aging on consciousness in recognition memory, using the Remember/Know/Guess procedure . Remembering and Knowing. In E. Tulving & F. I. M. Craik , The Oxford Handbook of Memory. Oxford University Press.). In recognition memory, older participants report fewer occasions on which recognition is accompanied by recollection of the original encoding context. Two main hypotheses were tested: the speed mediation hypothesis . The processing-speed theory of adult age differences in cognition. Psychological Review, (...) 3, 403–428) and the executive-aging hypothesis . An application of prefrontal cortex function theory to cognitive aging. Psychological Bulletin, 120, 272–292). A group of young and a group of older adults took a recognition test in which they classified their responses according to Gardiner, J. M., & Richarson-Klavehn, A. . Remembering and Knowing. In E. Tulving & F. I. M. Craik , The Oxford Handbook of Memory. Oxford University Press. remember-know-guess paradigm. Subsequently, participants completed processing speed and executive function tests. The results showed that among the older participants, R responses decreased, but K responses did not. Moreover, a hierarchical regression analysis supported the view that the effect of age in recollection experience is determined by frontal lobe integrity and not by diminution of processing speed. (shrink)

It has often been argued that Thomas More’s Utopia is fundamentally concerned with outlining and theoretically justifying an ideal model of society and not with determining what would be the practical steps required for its establishment in the real world. Even if we were to accept this widespread interpretation, I consider that it is possible to recognize in the text indications that suggest two different and even opposing paths along which the political construction of Utopia could take place. The first, (...) and strictly speaking, the only one that the work is trying to put forward, is individual, elitist, coercive, and top-down. The second that, for its part, seems to be presented rather with the intention of preventing it from coming to fruition is hence, on the contrary, collective, popular, insurrectionary and from below. The present article tries, first, to show how and through what arguments these two models of action are presented in More’s work, taking note, in addition, of the important difficulties involved in the one which it intends to propose. After this, two historical realizations immediately after Utopia was published that illustrate them are developed. Finally, the present article tries to establish what relationship these two paths have with each other according to the work’s approach and, also, suggest what alternative relationship they could maintain if a different point of view was attempted. (shrink)

Este presente artigo tem por objetivo fazer considerações acerca da origem tardia do Corpus Hermeticum, assim como seu possível desenvolvimento, a partir do caldo multicultural e das similaridades religiosas entre as escolas filosóficas da Grécia clássica e helenística, em específico por influência direta de Pitágoras e de Platão, por meio de Plutarco, da escola eclética e de certa influência indireta das escolas do oriente, em específico a egípcia, na tentativa de revelar a possível, mas bem provável, origem posterior ao séc (...) I dos escritos conhecidos como Corpus Hermeticum. Essa conjunção de escolas de pensamento, podem ter tido o efeito em comum e uma possível responsabilidade de formarem, ou até mesmo de servirem como agente acelerador, do pensamento filosófico grego pré-socrático, que irá influir diretamente no pensamento clássico e helenístico. (shrink)

Parental burnout is a unique and context-specific syndrome resulting from a chronic imbalance of risks over resources in the parenting domain. The current research aims to evaluate the psychometric properties of the Spanish version of the Parental Burnout Assessment across Spanish-speaking countries with two consecutive studies. In Study 1, we analyzed the data through a bifactor model within an Exploratory Structural Equation Modeling on the pooled sample of participants obtaining good fit indices. We then attained measurement invariance across both gender (...) and countries in a set of nested models with gradually increasing parameter constraints. Latent means comparisons across countries showed that among the participants’ countries, Chile had the highest parental burnout score, likewise, comparisons across gender evidenced that mothers displayed higher scores than fathers, as shown in previous studies. Reliability coefficients were high. In Study 2, we tested the relations between parental burnout and three specific consequences, i.e., escape and suicidal ideations, parental neglect, and parental violence toward one’s children. The medium to large associations found provided support for the PBA’s predictive validity. Overall, we concluded that the Spanish version of the PBA has good psychometric properties. The results support its relevance for the assessment of parental burnout among Spanish-speaking parents, offering new opportunities for cross-cultural research in the parenting domain. (shrink)

En apparence l'enjeu est clair, il s'agit de dépasser la métaphysique ou de la déconstruire pour retrouver la question primordiale du sens de l'être. Comment faut-il entendre la nécessité de ce " dépassement de la métaphysique "? Heidegger a répondu à ces questions en mentionnant, de manière explicite, le " tournant " (Kehre) propre de sa pensée, lequel permet moins d'effectuer le " dépassement " (Überwindung) que l' "appropriation " (Verwindung) de la métaphysique. Après cet épisode du " tournant " (...) que l'on peut faire remonter à 1930, Heidegger se dé-tournera de la métaphysique pour se consacrer à la pure pensée de l'être, dans laquelle la poésie, celle de Hölderlin en particulier, jouera désormais un rôle déterminant. Le poète précède toujours le penseur au cœur de cette forêt profonde qu'est l'Être. Pour Heidegger comme pour Dante, l'homme est un poème qui s'achève sous le regard scintillant d'une étoile. (shrink)

The article presents the results of an interview in a student’s group on the problem of the fall into sin based on the discussion at the seminar of Dante's «divine Comedy». The authors consider human as an image and likeness of God, who creates himself, choosing between good and harm. There were changes in the perception of the structure of Inferno: the number of circles of hell in the minds of young people interviewed decreased: all respondents do not see (...) sin in unbelief, three-quarters of respondents − in gluttony, half − in lust. The inter-pretation of heresy and fraud as ways to promote their projects is relevant. The effect of absolute rejection of violence, contemptuous attitude to treachery is revealed. The authors believe that secularization has touched only the first five circles of Hell, but at the bottom everything is still the same. (shrink)

This paper interprets the philosophical and poetic legacy of Dante Alighieri in the context of the crises he experienced in his life. Dante went through the number of experiences during his lifetime which were significant to his understanding of himself and the world. Such a very personal trial he had to deal with was his unrequited love for Beatrice Portinari, and, especially, her death at a young age. In addition, a very difficult period in his life was his (...) political activity and public service in his native Florence, which led to his entanglement in the conflict between the factions of Guelphs and Ghibellines, and to his exile from Florence which lasted until the end of his life. These events can be described as “the crises” of the Florentine poet, because they were the turning points in his life, which required him to make some important decisions. The word “crisis”, according to its Greek etymology, signifies the decision making process which changes the way of thinking and the style of living. In this article, a thesis is proposed that Alighieri’s work can be interpreted and understood as an expression of the crises he was going through, but above all, as the way of coming out of crisis, which is expressed by taking thoughtful existential decisions. The Italian poet was also an excellent philosopher, as evidenced by his philosophical treatises and poetic works, for he was able to combine the principles of medieval scholastic philosophy with his poetry. Philosophy also played a significantly positive role in his life and contributed to his hopeful and optimistic worldview and perception of man, what constitutes the fundamental and timeless message of his work. (shrink)

Este trabajo sostiene que Egidio Romano y Dante Alighieri han utilizado el Liber de Causis como fuentede sus tratados de filosofía política. Asimismo, ambos autores han trasladado al ámbito político el modelode causalidad neoplatónico para defender tesis opuestas respecto del problema de la autonomía de los poderesespiritual y temporal. Mientras que, para fundamentar la intervención directa del papa en los asuntosdel poder temporal, Egidio postula la anulación de las causas segundas que actúan sobre la realidad; en la teoríade (...) class='Hi'>Dante sobre el imperio, la no cancelación de los poderes intermedios entre el emperador y los súbditospermite establecer conceptualmente una cierta autonomía del poder temporal respecto del espiritual.This paper argues that the Liber de Causis was a source for both Egidio Romano`s and Dante Alighieri`s philosophical and political treatises. Both authors used a Neoplatonic model of causality in orderto sustein opposite theories on the relationship between temporal and spiritual powers. Egidio bases thedirect intervention of the pope in temporalibus on the annulment of the second causes which operate inCreation. On the contrary, in Dante`s political theory, the intermediary powers between the emperor and the subjects are precisely that which allows —from a theoretical point of view— a certain independence of the temporal power from the spiritual one. (shrink)

I discuss Dante’s understanding that human existence is “ordered by two final goals” and how this understanding defines philosophy’s and theology’s respective scopes of authority in guiding human conduct. I show that, while Dante devalues the philosophical authority associated with the traditional Aristotelian emphasis on the significance of contemplative activity, he does so in order to highlight philosophy’s ethico-political authority to guide human conduct toward its “earthly beatitude.” Moreover, I argue that, although Dante subordinates earthly beatitude to (...) spiritual beatitude, he nonetheless maintains that philosophy’s authority to reveal a path to spiritual beatitude requires its fundamental independence from theology. (shrink)

In this article, I argue that Dante's philosophical goal is what I term "self-angelizing," an ennobling philosophical education granting one the knowledge and power of an angel, which the medieval scholastics conceived as celestial intelligences. Dante's own path to self-angelizing begins in his early New Life, which approaches a living Beatrice as exemplar of terrestrial angels. Next, Dante's middle-period Banquet discusses following Beatrice into self-angelizing through an education in philosophical virtue. Finally, in his climactic Paradise, Dante (...) performs his own self-angelizing. The upshot of this journey is Dante's prophecy of an egalitarian transhumanism. (shrink)

In this article, I argue that Dante's philosophical goal is what I term "self-angelizing," an ennobling philosophical education granting one the knowledge and power of an angel, which the medieval scholastics conceived as celestial intelligences. Dante's own path to self-angelizing begins in his early New Life, which approaches a living Beatrice as exemplar of terrestrial angels. Next, Dante's middle-period Banquet discusses following Beatrice into self-angelizing through an education in philosophical virtue. Finally, in his climactic Paradise, Dante (...) performs his own self-angelizing. The upshot of this journey is Dante's prophecy of an egalitarian transhumanism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dante’s Poetics Of The Sacred WordSteven BotterillI hope to make a case that, until recently, would probably have seemed self-evident, or at least uncontroversial: namely, that a positive valuation of the power of human language to express and to represent informs the textual practice of Dante’s Commedia—or, to put it more bluntly, that Dante believes in words.1The language of poetry was, for Dante, the supremely (...) demanding and supremely rewarding form of human eloquence. This much is made clear in his significantly titled treatise De vulgari eloquentia (On Eloquence in the Vernacular), which, having set out—and failed—to identify a truly noble form of the Italian vernacular, takes it as axiomatic that if (or rather when) such a language is brought into being, it will primarily be used by poets in the composition of their poetry. Despite the many subsequent developments in his thought, and despite, above all, the drastic and often underestimated effects of his shift after 1300 from lyric to narrative-dramatic forms and techniques, nothing in Dante’s later works gives us any reason to think that he ever modified this view.Within the narrative of the Commedia, the overriding importance of eloquence is amply demonstrated by the fact that, without it, Dante-character’s journey would never have taken place. It is to poetic eloquence that Dante owes both his visionary experience and his eventual salvation. Confirmation of this initially startling proposition occurs in canto II of Inferno, where Virgil describes his commission from Beatrice to come to the aid of her errant admirer, and explains that he is charged to do so through the use of his “parola ornata” (“ornamented [End Page 154] word”: Inf., II. 67)—not merely a word plucked from the dictionary, however potently charged with salvific meaning, but a word (or, by synecdoche, a language) that is perceptibly embellished with the technical and rhetorical devices recognized by its hearers as constituting eloquence. Virgil, then, is not just to speak the saving word but to pay attention, as both his historical identity and his creator’s agenda require, to the aesthetic and intellectual implications of its usage; and the efficacy of his speech is manifestly dependent on the elegance and persuasiveness of its formulation.Dante-character’s initial recognition of his mysterious interlocutor in Inferno I as “quella fonte / che spandi di parlar sì largo fiume” (“that spring / that pours forth so rich a stream of speech”: Inf., I. 79–80) is thus retrospectively justified: this is the immediately relevant aspect of Virgil’s historical personality, the one that best equips him to become Dante-character’s guide and mentor in Hell and (most of) Purgatory. Likewise, it is under the auspices of another renowned possessor of eloquence, Bernard of Clairvaux, that Dante’s journey reaches its appointed end. The narrative movement through the Commedia is, among much else, a movement from one “parola ornata” to another, from Virgil’s eloquence to Bernard’s, from the pagan word that offers worldly renown to the Christian word that both transfigures the believer in this life and promises bliss in the life to come. The former, however, grounds the process that leads to the latter; and at both ends of the journey the functional significance of the word and its usage remains paramount.We need, however, to be careful at this point, lest we begin too quickly to entertain the notion that the centrality of eloquence in Dante’s thought immediately justifies the conclusion that he accepted the intrinsic validity of poetic language, or, more controversial still, its supremacy over other forms of eloquent discourse. Firstly, Virgil’s is not the only word in the poem distinguished as “ornata.” The epithet recurs in the bolgia of the seducers, as part of the tale of Jason, who “con segni e con parole ornate” (“with signs and with ornamented words”: Inf., XVIII. 91) led Hypsipyle astray and earned himself damnation. Clearly, Jason’s “parole ornate” are morally quite different from Virgil’s: instead of saving they betray, instead of embodying the truth they act as a vehicle of deceit. Their ornamental quality is specious, employed to conceal their... (shrink)

Il saggio mette a confronto tre fra le traduzioni più importanti della Commedia curate da poeti americani negli anni 2000, prendendo in analisi le loro strategie e tecniche traduttive e i conseguenti risultati estetici. La base del confronto sono le intenzioni traduttive dichiarate dai poeti-traduttori, il modo in cui hanno cercato di porle in pratica, e l’interpretazione dei loro risultati alla luce della teoria dei translation studies recente. Le idee di Lawrence Venuti sulle «versioni dei poeti» e su come leggere (...) una traduzione, specialmente in un contesto di world literature, sono risultate particolarmente utili nel caso dei tentativi di questi poeti-traduttori di riscrivere un testo poetico autonomo, e di trasportare la complessità della poesia di Dante, potentemente padroneggiata, attraverso due tradizioni letterarie diverse. (shrink)

In this paper I argue that the interpretation of a text by a reader involves a dialectical process that simultaneously perfects both reader and text. The issue of the dialectical relation between text and reader is beautifully embodied in Dante’s Commedia, a text that includes both an account of its subject matter as it develops (in the story of the pilgrim), as well as an account of its own coming-to-be as an interpreted, meaningful account (in the narrative of the (...) poet). Thus there is a necessary relation, though not an identity, between the content of Dante’s text (as shown in the journey of the pilgrim) and the meaningful interpretation of the content of Dante’s text (as shown in the recollective narrative of the poet). The issue of the dialectical relation between interpreter and text is dramatized by the fact that, in his account of the realms of the afterlife, Dante the poet is not merely describing realms that have meaning apart from his own hermeneutic activity. Rather, he is demonstrating that the pilgrim’s journey of interpreting the world within which he finds himself always involves his own self-interpretation, and viceversa. Thus, as the pilgrim/poet’s ability to interpret himself becomes more refined, his very world changes. Dante illustrates this process as a movementthrough the three realms of the afterlife, from the inferno, through purgatory, to paradise. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On Dante, Hyperspheres, and the Curvature of the Medieval CosmosWilliam EggintonIn the course of his lectures on medieval literature at Oxford University in the 1950s C. S. Lewis would ask students to walk alone at night, gaze at the star-filled sky, and try to imagine how it might look to a walker in the Middle Ages. It would not likely have occurred to him that some forty years (...) later several astrophysicists would ask that their readers perform the same activity, at least figuratively—not, however, with the intention of experiencing medieval conceptions of the cosmos but rather in order to begin to imagine the shape of our own. One of the astrophysicists in question is Stanford Professor Emeritus Robert Osserman, whose 1995 book The Poetry of the Universe is an attempt to acquaint lay readers with what the most recent research suggests is the shape of the universe by leading them through a brief history of the mathematical and technological developments that made such boundary-breaking thought possible. Paradoxically, when it comes to trying to imagine that all-encompassing form which is derived from a four-dimensional mathematical model called a hypersphere, he turns not to ultra-modern computer-generated images nor to dry but technically accurate exegeses of mathematical formulae but rather to the verses of a fourteenth-century Italian poet, Dante Alighieri. His claim is that in the third canticle of the Divine Comedy, which details his ascent through the heavens, Dante describes the cosmos with astonishing precision as a hypersphere, exactly as modern physics has determined it to be.If the cosmology of the present makes use of Dante heuristically, however, it never asks the most obvious question: Why? Why does one need to go back to the fourteenth century for a poetic description of how the universe appears to modern science? Osserman assumes it to be a mere coincidence, and why should he not? What possible access would a thinker—a poet even—of the European Middle Ages have to the highest achievements of almost six centuries of subsequent thought? In answering this question, I am not proposing to naively interpret the past in our own image, claiming Dante to be a mathematical genius [End Page 195] before his time. I am, however, suggesting that there is an excellent explanation for why one must look to the fourteenth century for models of expression adequate to the challenges posed by nineteenth and twentieth-century advances in mathematics: namely, that in the course of the Scientific Revolution, wherein were laid the epistemological foundations for the discoveries of modern science, certain possibilities of thought and imagination were discarded, forgotten, and certain abilities were, if only temporarily, lost. The Middle Ages has long been painted as a period whose culture was hostile to free thought and new knowledge; perhaps it is now time to recognize that it was also a time in which phenomena could sustain mutually exclusive and contradictory explanations, when the battle between faith and science had not yet been conclusively won by either side, and when the efforts to bridge the stories they told could produce conceptual edifices whose mere possibility would be unthinkable only 200 years later. This essay is about one such conceptual edifice and how openness to its perspective allowed a poet to put into words what could not be imagined by his descendants, and what eludes us even today.The Shape of the Modern UniverseImagine that you are a completely flat creature, living happily in your two-dimensional world.1 As observers we are outside this world, and we can see you milling about with your flat friends, blissfully unaware of the uncharted regions one dimension away on either side of you. Now imagine that this plane is not flat—in the sense of rectilineal—as you might have created it in your mind, but rather is curved; in fact it is a sphere. Assuming that this sphere is large enough, there is no reason that you, an inhabitant of this surface, should be aware of its curvature. Even we, the three-dimensional observers, if close enough to the surface, would not recognize its curvature. One could conjecture, however... (shrink)

The importance of the Lectura Dantis for Schelling’s philosophy, at least between Das erste Systemprogramm (First System Programme) and Die Weltalter (The Ages of the World), has for many years now been clearly highlighted by Wolfram Hogrebe and there is no need to repeat here his reflections on it. I believe the link that ties Schelling and Dante goes beyond these limits and constitutes a special guideline to understanding general but fundamental key junctures in the maturing of his philosophical (...) system, both in terms of Fichte and Hegel. This essay focuses on showing a viable course of investigation on this, with particular attention to Schelling’s philosophy of nature and the role assigned by him to Dante in his general concept of the myth. (shrink)

Dedication. A version of this paper has been discussed in 2007, in Dunabogdány (Hungary), on the occasion of an informal meeting, organized by Jeff Bernard. It was the last occasion I had the chance to meet him, one of my closest friends during many years, to whose memory I dedicate this essay.

È frequente in Borges il riferimento a Dante come a uno degli scrittori fondamentali per la creazione della propria poetica. I suoi Saggi danteschi e, in particolare, Il falso problema di Ugolino, consentono di rintracciare alcuni degli aspetti più pregnanti del legame che Borges stabilisce tra sé e lo scrittore toscano e di fare luce su alcuni dei principi chiave che guidano la poetica borgesiana. In particolare, l’episodio di Ugolino e, più precisamente, il verso , in cui Dante (...) trasmette l’eterna oscillante immagine di Ugolino [che] divora e non divora gli amati cadaveri, costituisce per Borges una delle massime espressioni di un principio estetico fondamentale per la propria poetica: la capacità di esprimere i fatti tramite allusioni – evitando quindi di limitarne le possibili infinite biforcazioni – piuttosto che attraverso la mera esposizione circostanziata. (shrink)

Lo studio sul rapporto tra Dante e la tradizione arabo-islamica è solitamente associato a due influenti studiosi del Novecento, Miguel Asín Palacios e Bruno Nardi. Nonostante le differenze, entrambi affermano che la struttura fondamentale della Commedia intende mostrare come la ragione naturale dell’uomo e la filosofia siano inferiori alla rivelazione religiosa e alla teologia. Il contributo, affermando che l’architettura del poema dantesco si fonda sulla classificazione delle scienze formulata dai filosofi islamici, intende mostrare che la struttura allegorica della commedia (...) non è basata sulla distinzione tra filosofia e teologia ma sulla distinzione, tutta interna alla filosofia, tra praxis e theoria. Come i filosofi razionalisti, Dante nega che ci sia una forma di conoscenza più elevata che non sia raggiungibile attraverso la dimostrazione e il ragionamento filosofico ma solo attraverso il discorso religioso rivelato. Questa classificazione islamica delle scienze può aiutare a rivedere il ruolo giocato da Statius e Matelda nell’allegoria dantesca e identificare con maggior precisione il luogo della religione.The study of Dante in relation to the medieval Arabo-Islamic tradition is most notably associated with two influential twentieth-century scholars, Miguel Asín Palacios and Bruno Nardi. Despite differences, both hold that Commedia’s fundamental structure aims to show natural human reason and philosophy falling short of religious revelation and theology. This essay, arguing that the architectural design of Dante’s poem is based on the classification of the philosophical sciences formulated by the Islamic rationalist philosophers, shows that Commedia’s allegorical structure is not based upon the distinction between philosophy and theology but rather upon a distinction within philosophy between praxis and theoria. Like the Islamic rationalist philosophers, Dante denies that there is a higher human knowledge unattainable through philosophical demonstration but accessible through revealed religious discourse. This Islamic classification of the sciences will also help us see the role played by Statius and Matelda in Dante’s allegory and to identify the locus of religion. (shrink)

What is art? What constitutes great art? Why do we value art so much and why has it been such a conspicuous feature of all human societies? These questions have been discussed at length though without satisfactory resolution. This is not surprising. Such discussions are usually held without reference to the brain, through which all art is conceived, executed and appreciated. Art has a biological basis. It is a human activity and, like all human activities, including morality, law and religion, (...) depends upon, and obeys, the laws of the brain. To understand the biological foundations of art, we must enquire into the biological foundations of knowledge, for art constitutes a form of knowledge; indeed is knowledge. We are still far from knowing the neural basis of the laws that dictate artistic creativity, achievement and appreciation, but spectacular advances in our knowledge of the visual brain allow us to make a beginning in trying to formulate neural laws of art and aesthetics; in short, to study neuroaesthetics. In this essay, I try to discuss the art of three Titanic figures in Western culture — Dante, Michelangelo and Wagner — in neurological terms. I try to show that we can trace the origins of their art to a fundamental characteristic of the brain, namely its capacity to form concepts. This capacity is itself the by-product of an essential characteristic of the brain. That characteristic is abstraction, and is imposed upon the brain by one of its chief functions, namely the acquisition of knowledge. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Uncanonical Dante: The Divine Comedy And Islamic PhilosophyPaul A. CantorThe distorted notions of invisible things which Dante and hisrival Milton have idealized, are merely the mask and the mantlein which these great poets walk through eternity enveloped anddisguised. It is a difficult question to determine how far theywere conscious of the distinction which must have subsisted intheir minds between their own creeds and that of the (...) people.Dante at least appears to wish to mark the full extent of it byplacing Riphaeus, whom Virgil calls justissimus unus, inParadise, and observing a most heretical caprice in hisdistribution of rewards and punishments.—Percy Shelley, A Defence of PoetryIThe case of Dante provides an excellent opportunity to open up the question of the Western canon. In one sense, Dante is the perfect example of a canonical author. His name is one of the few certain to appear on anybody’s short list of the truly central authors in the Western literary tradition. But in another sense Dante can be regarded as uncanonical. In his own day he was widely suspected of being heretical in his religious views, 1 and a careful reading of his works does indeed raise serious doubts about his being the pillar of orthodoxy he is often taken to be today. 2 Out of this interplay between the canonical and the noncanonical Dante, I hope to show that the issue of the Western canon is more complicated than either its defenders or its attackers generally present it.In discussing the issue of the canon, it is important to sort out at the [End Page 138] beginning what we do and do not mean by the term. A canonical work may merely be a work that has been accepted into the literary canon, one that has become a touchstone in the reading and teaching of literature. But the term canonical can suggest something else, that the work is orthodox and somehow represents a central authoritative position in Western culture. The word canonical is so loaded with religious connotations that it is difficult to separate the relatively neutral first meaning of the term from the loaded second meaning. Dante is a case in point. When people refer to him as a canonical author, they usually do not simply mean that he is widely read and taught. Most discussions of Dante today treat him as representing an authoritative cultural moment in the Western tradition, as the supreme embodiment of the medieval mind. Viewed that way, Dante becomes an emblem of everything contemporary critics of the Western canon bitterly hate and reject. The reason they feel that they must attack authors like Dante and displace them from the center of literary study is that these authors have come to stand for orthodoxy and thus seem to enforce the hegemony of Western culture.Critics who wish to champion various forms of non-Western culture have a particular axe to grind with canonical authors like Dante. The contemporary debate over the Western canon seems to be premised on a sharp opposition between Western and non-Western cultures, as if they were complete and irreconcilable antitheses, and even wholly unrelated. One of the principal charges against the Western canon is that it is Eurocentric, that it remains confined within a narrow orbit of European ideas and beliefs, thus excluding all other views of the world. A corrolary of the idea of Eurocentrism is the concept of Orientalism, developed by Edward Said. 3 Said argues that throughout its history, the Occident has defined itself in opposition to the Orient, basing its elevated self-image on a debased vision of the cultural Other. In Said’s argument, the Occident views itself as rational as opposed to an irrational Orient, as emotionally disciplined in contrast to an emotionally uncontrolled Orient, and as masculine over against a feminine Orient.In medieval Europe the Orient was chiefly represented by the Muslim world, and one does not have to look far in medieval literature to find the kinds of orientalist stereotypes about which Said writes. The French Song of Roland contains excellent examples, but even the Divine Comedy seems to... (shrink)

L’articolo si concentra sull’analisi dell’estesa comparazione tra filosofia e amicizia proposta da Dante in Convivio III, xi, interpretandola come una consapevole analogia. A partire da un’attenta esegesi del capitolo, letto come un peculiare accessus ad philosophiam dantesco, l’articolo ripercorre le tappe dell’analogia evidenziandone i principali contenuti teorici. In questo modo, diventa possibile mostrare la rilevanza del tema dell’amicizia (in particolare di quella tra maestro e allievo) per una corretta comprensione di uno degli aspetti fondamentali (e anche più dibattuti) della (...) pratica filosofica così come concepita da Dante, ovvero il suo carattere intrinsecamente collettivo. Inoltre, l’articolo sottolinea come l’amicizia costituisca per Dante uno degli strumenti essenziali per l’allargamento del sapere filosofico al di fuori dei circoli universitari, obiettivo a cui il Convivio dichiaratamente mira. The article focuses on the analysis of the extended comparison between philosophy and friendship advanced by Dante in Convivio III, xi, interpreting it as a conscious analogy. Starting from a careful exegesis of the chapter, read as Dante’s peculiar accessus ad philosophiam, the article goes through the stages of the analogy, and it highlights its main theoretical contents. In this way, it becomes possible to show the relevance of the topic of friendship (especially that between master and student) for a correct understanding of one of the fundamental (and most debated) aspects of philosophical practice as conceived by Dante, i.e., its intrinsically collective character. Moreover, the article underlines that friendship constitutes for Dante one of the essential instruments in order to broaden philosophical knowledge outside of university circles, something that the Convivio explicitly purports to do. (shrink)

This paper considers three sorts of account of the quality of life. These are capability views, due to Amartya Sen and Martha Nussbaum, desire accounts and the prudential value list theory of James Griffin. Each approach is evaluated in the context of a tale of cannibalism and moral decay: the story of Count Ugolino in Dante's The Divine Comedy. It is argued that the example causes difficulties for Sen's version of the capability approach, as well as for desire accounts. (...) Nussbaum's version of the capability approach deals withthe example better than Sen's. However, it fails adequately to accommodate pluralism. I suggest that James Griffin's account of well-being deals well with this example and accommodates pluralism. I suggest that, of the views considered, Griffin's is the best account of the quality of life. (shrink)

In contemporary political discourse, the "clash of civilizations" rhetoric often undergirds philosophical analyses of "democracy" both at home and abroad. This is nowhere better articulated than in Jacques Derrida's Rogues, in which he describes Islam as the only religious or theocratic culture that would "inspire and declare any resistance to democracy". Curiously, Derrida attributes the failings of democracy in Islam to the lack of reference to Aristotle's Politics in the writings of the medieval Muslim philosophers. This paper aims to analyze (...) this gross misconception of Islamic philosophy and illuminate the thoroughgoing influence the Muslim philosophers had on their Christian successors, those who are so often credited as foundations of Western political philosophy. In so doing, I compare the ideal states presented by Averroes and Dante – in which Aristotelian influence is intimately interlaced – and offer an analysis thereof as heralds of what we might call the secularization of the political, inspiring those democratic values that Derrida believes to be absent in the rich philosophy of the Middle Ages. (shrink)

Divisé en huit chapitres, le livre de R. Imbach se développe en deux temps. Les chapitres I à IV décrivent les conditions d’émergence d’une philosophie pour les laïcs au Moyen Âge, les milieux qui ont favorisé son développement, les auteurs qui s’y sont consacrés et surtout les idées qui la caractérisent. Cette première moitié du livre trace les contours de ce nouvel objet qu’est la philosophie des laïcs et démontre son intérêt pour les historiens de la pensée. La seconde partie (...) de l’ouvrage, soit les chapitres V à VIII, analyse les idées de celui que R. Imbach considère comme l’un des modèles les plus achevés du philosophe laïque médiéval, Dante Alighieri. L’auteur retrace comment la pensée de Dante s’enracine dans les courants philosophiques de son époque et expose l’originalité de ses idées sur la société, la politique et le langage. Il met en évidence l’unité de sa pensée, qu’elle s’exprime dans des œuvres didactiques comme La Monarchie ou Le Banquet, ou dans La Divine Comédie. Le propos de chaque chapitre du livre est illustré par des extraits en français moderne d’œuvres médiévales. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:NOTES AND DISCUSSIONS 167 they regard as the Standard of every Thing, and which they will not submit to the superior Light of Revelation?" (p. 21) is the Hume we have come to accept, Hume the philosopher, Hume the foe of superstition and enthusiasm. Indeed, upon reading the Letter it seems that one must ask himself if Hume;s desire for this position--and the financial security it would offer--has not (...) affected his response. We know that in his later life Hume flatly refused to debate the multitude of clergymen who attacked his works. Not even so respectable a philosopher as Thomas Reid could elicit a public response from him. Why then did he reply to a philosophical scoundrel such as Wishart? Of course, one could suggest that Courts and Kames and perhaps others may have urged Hume to this reply in his own interest. But that, to me, is precisely the point: Why so unusual a concern in just this case, and why one which seems to undercut some of what are thought to be Hume's most daring and creative analyses? These are not rhetorical questions, but queries of importance to those who wish to see Hume and his work whole. The Letter ]rom a Gentleman does shed important light on the Treatise. Professor Mossner was quite correct in his surmise. But I believe that it raises more questions than it answers--and for this reason too we are fortunate that it has been added to the Hume bibliography. DAVZDFATE NORTON Edinburgh, Scotland THE HEGELIAN DANTE OF WILLIAM TORREY HARRIS William Torrey Harris is remembered as the foremost American exponent of Hegelianism; as founder of the Philosophical Society (1866); as editor of the Journal of Speculative Philosophy (1867-93); as U.S. Commissioner of Education (1889-1906); and as founder, with Miss Susan E. Blow, of the first permanent public school kindergarten in America. He also gave Melville Dewey the order of the ten subiect classes of his famous book classification system, and was co-founder of the Library Journal. Harris was born in North Killingsly, Connecticut in 1835. He studied at Phillips Andovcr Academy, and at Yale University, from which he withdrew in his junior year to accept a teaching position in St. Louis, Missouri in 1857. In St. Louis he met Henry C. Brockmeyer, a German immigrant and intellectual, and under his influence began a lifelong commitment to the philosophy of Georg Wilhelm Friedrich Hegel. He states that Hegel's philosophy became the center of all his thinking, but he nevertheless ~vent on to study the works of the other great thinkers, including those of Dante Alighieri. In 1883-84 he gave a series of lectures in St. Louis on Dante, and again in 1886 at the Concord School of Philosophy. These lectures were later expanded and published as The Spiritual Sense o] Dante's Divina Commedia, in Boston, by Houghton in 1889, and reissued in 1896. 168 HISTORY OF PHILOSOPHY The form of the Divina Commedia is a massive triadic structure of written words developed by exhaustive repetition of the terza rima. Structurally it is a development of the concept of The Trinity. The reader who knew not a single word of Italian could not escape having the Trinitarian notion hammered into his consciousness. Harris, however, was more concerned with meaning than form, and so he considered the triadic format a relatively trivial matter. Harris uses the Commedia to illustrate by imaginative representation the dialectic of the Holy Trinity to the American Protestant while explaining it with Hegelian logic. In summary he writes, "The doctrine of the divine form, or the self-activity of the absolute, involves the common nature of man and God, or God as divine human. This is the great central truth (of which the doctrine of the Trinity is the symbol) on which all modern civilization is built, and it is its open secret." Dante's Inferno corresponds with Hegel's logical and ontological level, called "Sein," the realm of abstract-unconscious-being-for-another. The Purgatory corresponds with his level "Wesen," the realm of mediated being in which the self is conscious of its being-in-and-for-another... (shrink)

La riflessione di Dante sul denaro è un aspetto rilevante della sua filosofia morale e politica e motivo centrale nel suo immaginario poetico. La Firenze del tempo aveva una potente classe borghese e una moneta tra le più prestigiose d’Europa e Dante, da fiorentino, fu testimone dell’insorgere di un’economia di profitto i cui rischi morali non mancò di rilevare. Questo saggio propone una riflessione su come l’atteggiamento di Dante in merito al denaro si rapporti ad alcuni aspetti (...) del pensiero di Emmanuel Levinas e Michel Henry, due filosofi che criticano le economie capitaliste occidentali e sostengono con convinzione l’importanza della prospettiva umanistica nell’analisi delle realtà economiche. (shrink)

I discuss Dante’s understanding that human existence is “ordered by two final goals” and how, for Dante, this understanding defines philosophy’s and revelation’s respective scopes of authority in guiding human conduct. Specifically, I show that, although Dante subordinates our earthly beatitude to spiritual beatitude in a way that seems to suggest the subordination of the authority of philosophy to that of revelation, he in fact limits philosophy’s scope to an arena in which its authority is not only (...) legitimate but also crucial to the cultivation of the higher, spiritual beatitude of human activity. (shrink)

The philosophical image of a “universe of discourse” can be misleading in the suggestions it carries about how to read Wittgenstein and how to approach the topic of the relation between language and reality. That is what I try to show by examining Ilham Dilman's discussion of medieval cosmology. I sketch an alternative account of the relation between medieval beliefs about the heavens and our astronomical beliefs, and I consider in detail the disagreement between the two accounts.